Road to UCIFEST 14 Institut Français Indonesia
Road to UCIFEST 14 is a pre-event of UCIFEST 14 that will present Best of UCIFEST 13 screening and selected french animation from IF Cinema collection which is very exciting and inspirative. It will be followed by dicussion about UCIFEST 14’s series of events which will be held on May 9th - 12th, 2023. Road to UCIFEST 14 is expected to be an inspirational and motivational source for high school and university students to keep creating in film and animation industry.
Meeting Lounge is available during the festival for the audience to visit after their journey with UCIFEST 14. Here they can gather and discuss outside the main events of UCIFEST 14. This will be their place to rest and get knowledge with other audiences all at once. The Meeting Lounge is equipped with a sitting area, board games, and ‘write your postcards’ wall as a forum for aspirations from the audiences about UCIFEST 14.
Poster Exhibition for the competition program will make the main event area of UCIFEST 14 more exciting. The visitors can take a look again at the films that they will watch during this year’s UCIFEST. Visitors can also choose their favorite films through a link that will be provided in this exhibition.
Book Discussion "Biang Kerok Kenikmatan"
A program that focuses on a book releasing by Umi Lestari entitled ‘Biang Kerok Kenikmatan’, where the aim of this program is to provide an opportunity for various parties to find out why the book was made, who the book is intended for, and what can be obtained through the book.
Speaker :Umi Lestari
UMI LESTARI is a writer, curator, and teacher. Currently a lecturer at the Film Studies Program, Multimedia Nusantara University. She’s interested in exploring films and minor figures in Indonesian cinema.
Retno Ratih Damayanti
Costume Designer in the film Before,
Now & Then (Nana) (2022),
Kucumbu Tubuh Indahku (2018),
and Habibie & Ainun (2012)
Costume Design in Professional Industry
Costumes become a unique identity that is shown by characters or the film itself. A costume is needed to represent an identity of a film to the audience among many existing films. Therefore in designing costumes for film, we need designers who have a creative and innovative mindset. This discussion will introduce a creative process in designing costumes for a professional film industry.
Editor in Dear David (2023)
Dini Hari (2022),
and Penyalin Cahaya (2021)
Editor Collaboration in Film Production
The filmmaking process doesn’t end at the shooting stage. There is still post-production which is the last chance for a production team to perfect their masterpiece. In fact, it is the editors who will be their “saviors” in post-production, but it doesn’t rule out any possibility of working with directors who can save them. This discussion will talk about tips on building collaboration between editors and directors in the post-production stage.